Decolonial Visualities
Indigenizing Visual Culture Studies
DOI:
https://doi.org/10.5281/zenodo.10037935Keywords:
Decolonial visualities, Visual cultural studies, Indigenous studies, Decolonial thoughtAbstract
This issue aims to contribute to ongoing discussions in decolonial thought and visual culture studies regarding the potentialities of othered approaches to image-making beyond Western-centred conceptualizations of the image and its visualities. Specifically, this publication looks at the importance of Indigenizing visual cultural studies in order to effectively decolonize an inter-discipline that has historically obviated its Western-centric biases. Drawing upon the concepts of decolonial aestheSis, the right to look, and Indigenous visual sovereignty, this issue presents texts addressing the Indigenization of visual culture as a means for decolonizing the fields of visual culture studies and contemporary art studies.
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References
MIGNOLO, Walter. “Aesthesis Decolonial,” Calle 14 4, no. 4 (January-June 2010): 10-25.
MIGNOLO, Walter and Rolando Vázquez, “Decolonial AestheSis: Colonial Wounds/Decolo- nial Healings,” SocialText Online, 15 July 2013. https://socialtextjournal.org/periscope_article/decolonial-aesthesis-colonial-woundsdecolonial-healings/
MIGNOLO, Walter, and Pedro Pablo Gómez, eds. "Estéticas y opción decolonial". Bogotá: Universidad Distrital Francisco José de Caldas, 2012.
MIRZOEFF, Nicholas. "The Right to Look. A Counterhistory of Visuality". Durham, NC: Duke University Press, 2011.
RICKARD, Jolene. “Diversifying Sovereignty and the Reception of Indigenous Art,” Art Journal, 76 no. 2 (2017): 81-84.
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