Mud, Water, Dog, Path, Tree, Sky, Vultures, Blood, Fire

Authors

  • Daniel Barroca ICS, Lisbon University, Portugal

Abstract

The visual essay I am presenting here is a minor detour from a larger project I have been involved in for the past seven years. That larger project is a documentary film co-authored with Catarina Laranjeiro, which focusses on a specific time frame within the microhistory of Unal, a Balanta community from the south of Guinea-Bissau. The title of our film is Fire in the Mud (Fogo no Lodo) and it evokes various local personal experiences of the war that swept the territory, today known as Guinea-Bissau, between 1963 and 1974. Depending on their background, people usually call this war The National Liberation War or The Colonial War

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References

BARROCA, Daniel. 2020. “Terramoto, Sombra, Corpos Explosivos: Imagens Do Kyangyang Da Guiné-Bissau.” Convocarte, Revista de Ciências Da Arte 10 (Arte e Loucura): 241–56.

BARROCA, Daniel. 2021. “Smoke, Dust, and Blood.” African Arts 54 (3): 62–67.

BELTING, Hans. 2014. An Anthropology of Images: Picture, Medium, Body. Princeton, N.J.; Oxford: Princeton University Press.

STOICHITA, Victor Ieronim. 1997. A Short History of the Shadow. London: Reaktion Books.

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Published

31.05.2022

How to Cite

Barroca, D. (2022). Mud, Water, Dog, Path, Tree, Sky, Vultures, Blood, Fire. Archivo Papers, 2(1), 88–101. Retrieved from https://archivopapersjournal.com/ojs/index.php/apj/article/view/39