Rewilding the Digital Archive

An Artistic Exploration of the Bug as a Queer and Decolonial Agent

Authors

DOI:

https://doi.org/10.5281/zenodo.15756679

Keywords:

Digital archive, bug, extractivism, technology, nature

Abstract

In “Moths Dreaming of Electric Waters”, artist duo Fadi Houmani and Ster Borgam created a digital ecosystem inhabited by cyber-bugs to challenge the anthropocentric worldviews and digital technologies implicated in colonial and extractivist systems. I engaged in in-depth conversations with Houmani and Borgman and complemented these dialogues with eco-feminist, decolonial, and Indigenous epistemologies. Drawing out a theoretical frame from the artwork, I invite the bug into the digital archive as a means of rewilding. The bug embodies complementary roles: a glitch, a hybrid, and a perspective. Theorizing these roles, I draw principles that can guide the (re)construction of a decolonial digital archive: decentralization, reciprocity, fluidity, and connectivity. Rewilding the digital archive is an invitation to envision new ways of relating with nature, technology, and each other. To build a world worth preserving.

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Author Biography

Martina Denegri, University of Groningen

Martina Denegri is a researcher, writer and curator based in Groningen, the Netherlands. Currently pursuing a Research Master in Cultural Leadership at the University of Groningen, her research focuses on digital archival practices, the role of non-human agents in artistic production, and cultural policy. She is also the co-founder of WILLOW Online Art Space, a non-profit organization creating spaces for autonomous art on the web, and critically investigating the digital and its infrastructure.

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Published

01.07.2025

How to Cite

Denegri, M. (2025). Rewilding the Digital Archive: An Artistic Exploration of the Bug as a Queer and Decolonial Agent. Archivo Papers, 5, 197–214. https://doi.org/10.5281/zenodo.15756679