How to Look at a Camera

Authors

  • Linda Fregni Nagler Accademia Carrara di Bergamo

DOI:

https://doi.org/10.5281/zenodo.15756595

Keywords:

Photography, Visible / Invisible, Gaze, Blindness, Mirror

Abstract

This visual essay explores a body of works entitled “How to Look at the Camera”, which highlights two central aspects of the medium of photography: looking and being looked at, visibility and invisibility. By translating vernacular images from the nineteenth century into contemporary images, which are freed from their original context of meaning, she uses them to inquire into the nature of photography.

This body of work has been recently put in relation with photographs from the collection of the Museum für Kunst und Gewerbe (MK&G, Hamburg), in a show called “Reconsidering Photography: The Staging of the Gaze”.

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Author Biography

Linda Fregni Nagler, Accademia Carrara di Bergamo

Linda Fregni Nagler is a Milan based artist working primarily with the medium of photography. She has exhibited in numerous solo and group exhibitions, including the 55. Venice Biennale, in museums both in Italy (MAXXI-Rome, Fondazione Olivetti-Rome, Triennale-Milan) and abroad (Museum für Kunst und Gewerbe-Hamburg, Moderna Museet-Stockholm, Centre National d'Art Contemporain de Grenoble, Nouveau Musée National de Monaco, ZKM-Karlsruhe). In 2014 she was awarded a scholarship at Iaspis in Stockholm. She published monographs with MACK books (London) and Humboldt books (Milan).

References

DYER, Geoff. The Ongoing Moment. London: Little, Brown, 2005.

FARINOTTI, Luisella. “Quello che (non) si riesce a vedere”, in Ceci n’est pas un livre. Parole e immagini per Sandra Lischi, edited by Lucia Cardone, Andreina Di Brino, Elena Marcheschi, Giulia Simi, and Chiara Tognolotti. Pisa: Edizioni ETS, 2021: 85-86.

MAGRELLI, Valerio. Vedersi vedersi. Modelli e circuiti visivi nell’opera di Paul Valéry. Turin: Einaudi, 2002.

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Published

01.07.2025

How to Cite

Fregni Nagler, L. (2025). How to Look at a Camera. Archivo Papers, 5, 234–243. https://doi.org/10.5281/zenodo.15756595