How to Look at a Camera
DOI:
https://doi.org/10.5281/zenodo.15756595Keywords:
Photography, Visible / Invisible, Gaze, Blindness, MirrorAbstract
This visual essay explores a body of works entitled “How to Look at the Camera”, which highlights two central aspects of the medium of photography: looking and being looked at, visibility and invisibility. By translating vernacular images from the nineteenth century into contemporary images, which are freed from their original context of meaning, she uses them to inquire into the nature of photography.
This body of work has been recently put in relation with photographs from the collection of the Museum für Kunst und Gewerbe (MK&G, Hamburg), in a show called “Reconsidering Photography: The Staging of the Gaze”.
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References
DYER, Geoff. The Ongoing Moment. London: Little, Brown, 2005.
FARINOTTI, Luisella. “Quello che (non) si riesce a vedere”, in Ceci n’est pas un livre. Parole e immagini per Sandra Lischi, edited by Lucia Cardone, Andreina Di Brino, Elena Marcheschi, Giulia Simi, and Chiara Tognolotti. Pisa: Edizioni ETS, 2021: 85-86.
MAGRELLI, Valerio. Vedersi vedersi. Modelli e circuiti visivi nell’opera di Paul Valéry. Turin: Einaudi, 2002.
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Copyright (c) 2025 Linda Fregni Nagler

This work is licensed under a Creative Commons Attribution 4.0 International License.